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This video premiered at the 2026 New Moon Fest. It spotlights the girls behind the Nantucket Girl Scouts troop.
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This auction is a curated collection of one-of-a-kind deals from all over Nantucket. The 2026 auction may be closed, but you can see the items that sold (click here) or buy the same items by visiting the websites of the auction partners on the following list.
The Grey Lady Award is determined by the New Moon Fest audience. They vote on their favorite film and the winner earns this award. The Wild Woman Award is given by the New Moon Fest Selection Committee to the film that embodies the free feminine spirit.
The Grey Lady Award is determined by the New Moon Fest audience. They vote on their favorite film and the winner earns this award. The Wild Woman Award is given by the New Moon Fest Selection Committee to the film that embodies the free feminine spirit.
The Grey Lady Award is determined by the New Moon Fest audience. They vote on their favorite film and the winner earns this award. The Wild Woman Award is given by the New Moon Fest Selection Committee to the film that embodies the free feminine spirit.
Larissa, a trans woman and Cláudio, a cis man, meet one night, in the streets of Lisbon. Two people, two realities, who dance their differences away till morning light. In challenge, in surprise, in awe and in recognition. An empowering story, free from violence and filled with light and hope for the better days yet to come.
Writer: Ary ZaraDirector: Ary ZaraProducers: Andreia Nunes, Frederico SerraDirector of Photography: Leandro FerrãoEditor: Sara MarquesArtistic Direction: Carina CasparSound: Cyril SantosMusic: XinobiStarring: Gaya de Medeiros and Ivo Canelas
After a deadly virus hits New York City, two young survivors take refuge on a roof. In efforts to fill the voids of all they’ve lost, the characters work together to complete a list of things they want to do before they die. The story begs the question: When society shatters and tomorrow is no longer guaranteed, what are you left with?
Writer: Audrey Lane and Lizzy WaltherDirector: Kate diRienziProducer: Avery Looser, Blessid UgedegbeDirector of Photography: Cece ChanProduction Designer: Jacqueline BrockelStarring: Audrey Lane and Lizzy Walther
After losing her job, a flailing millennial is forced to move back into her childhood bedroom and navigate life with her dysfunctional parents. Determined to take on a lover, she re-connects with a middle school crush.
“Boomerang is my love letter to anyone who endured the lockdown with their family. It’s a timely and relatable tale about an entire generation of millennials who were forced to move home and suffered arrested development. At its core, Boomerang is about complicated family relationships and how deeply funny life can be in its most serious moments. The medium of film grants the ability to tell stories that help us connect and process what we’ve all been through, and I wanted to use comedy to do that.” – Rylee Jean Ebsen, Director of BOOMERANG
Writers: Rylee Jean Ebsen, Sydney SteinbergDirector: Rylee Jean EbsenProducers: Rylee Jean Ebsen, Katie WhiteExecutive Producers: Augusta King, Elizabeth Sehn & Tim SehnStarring: Sydney Steinberg, Marin Hinkle, Phil Abrams, Noah Findling, Kaitlyn Tanimoto
Portrait of Marie-Lise Chouinard, this radiant woman imbued with contagious liveliness. An intimate encounter with Marie-Lise through a wishlist of activities of her own. Cherry is the epitome of resilience, friendship and hope.
“Meeting Marie-Lise is a pledge to laugh out loud, to listen with the greatest and gentlest attention and to nourish serenity in all circumstances.” – Laurence Gagné-Frégeau, Director of CHERRY
Writer: Laurence Gagné-FrégeauDirector: Laurence Gagné-FrégeauEditor: Laurence Gagné-FrégeauMusic: Marie-Lise Chouinard & Christian David
Lili, a feisty 10-year-old girl, has always swam topless. When her parents force her to wear a bikini top for a trip to the water park, she rebels: why should she hide her flat chest when her friends, all boys, don’t have to?
“It was during a hot summer day, at the age of 7, that I dared for the first and only time to swim topless with my friends. I never did it again, too embarrassed to behave like a “boy”. It is the memory of this torment faced with this benign desire to bathe my chest in the air which is at the origin of this film. How absurd to feel society’s discomfort with the female body at such a young age! An ode to the enthusiasm of youth and to girls who are not afraid, Death to the Bikini! thus carries a demanding, universal message and, through coming-of-age, presents young girls with a model with whom they can identify.” – Justine Gauthier, Director of DEATH TO THE BIKINI!
Writer: Justine GauthierDirector: Justine GauthierProducer: Léonie HurtubiseDirector of Photography: Gabrielle BergeronEditor: Marie-Pier GrignonArtistic Director: Yola van LeeuwenkampSound: Jacob Marcouz, Ilyaa Ghafouri, Joey SimasMusic: Viviane Audet & Robin-Joël CoolStarring: Mia Garnier, Etienne Cardin, Aksel Leblanc, Olivier Leblanc, Johnnovan Jobin, Eve Pressault, and Eric Robidoux
When an act of liberation is seen as criminal, 12-year-old Monica is forced to stand trial for her summer camp misdeeds.
Writer: Marissa RubenDirector: Marissa RubenProducer: Avery LooserDirector of Photography: Avery LooserProduction Designer: Madison CalicchiaStarring: Marissa Ruben, Kelsey Stalter, Brock Looser, Ariana Papaleo, Arielle Beth Klein, and Alia Cuadros-Contreras
Flipping the “Essex Girls” trope, this coming-of-age film explores Black British girlhood and magical female friendships in 2009 Essex. Navigating adolescence in Benfleet, Essex hasn’t been straightforward for British-Nigerian Bisola. After an incident at her high school shunts her into the orbit of the only other Black girl in her year, Bisola is plunged into a journey of discovering a whole new side of herself.
“This film aims to give girls like me, who have grown up in environments where hardly anyone else looks like them, the opportunity to see their experiences reflected on screen. In writing and performing the role of Bisola, I channeled my specific experience into something more universal. What is it like to be a Black girl in an almost completely white space? Does it make it harder for you to accept yourself? What effect does this have on you? And most importantly, to what extent will you go to, in order to survive and be completely happy in your natural born skin? In this short film we explore themes of identity, race, friendship, and representation. We bear witness to the catalyst that propels Bisola on a journey of gaining new-found confidence and self acceptance. We shine a light on a story that resonates with many but has been neglected and left untold.” – Busayo Ige, Writer of ESSEX GIRLS
“Coming-of-age tales centering experiences of Black, teen, female protagonists are scarce. Why do we mainly see coming-of-age films for young girls when they’re white? Why are Black female protagonists never afforded the same juvenile mistakes on their journeys of self-discovery? And if we do see these stories, why are they almost always rooted in trauma or social issues that insist these Black girls mature beyond their years? We want to be the corrective to that.” – Yero Timi-Biu, Director of ESSEX GIRLS
Writer: Busayo IgeDirector: Yero Timi-BiuProducers: Angela Moneke, Simon HattonDirector of Photography: Nathalie PittersProduction Designer: Phoebe PlatmanCostume Designer: Cynthia Lawrence-JohnHair/Make-Up Designer: Bianca Simone ScottCasting Director: Hannah Marie WilliamsEditor: Galina ChakarovaStarring: Busayo Ige, Corinna Brown, Adrianna Bertola, Krysstina Frempong, Rebecca Dike, Craig Webb, Bruno Cryan, Charlie Baker, Dan Gaisford, Daniel Adeosun, with Tomi Egbowon-Ogunjobi, and Maisie Smith
Caterina has created a routine that allows her to leave each morning looking impeccable and stylishly put together. But not everything can be controlled. Much less the little secrets.
Writer: Mercedes ArturoDirector: Mercedes ArturoExecutive Producer: Gisela PelaezDirector of Photography: Tamara ZukiermanEditor: Clara WetzelOriginal Score: Cecilia AssaliniStarring: Mariana Gagliano
Doxia knows that feeling safe and supported, especially by friends and family, is important for everyone’s future. Her hope is that all girls everywhere can feel safe, too.
Doxia Barber lives on Nantucket with her family and has four siblings. She’s currently in 6th grade. While she enjoys making all types of movies and loves to write, direct, and act in them, she finds stop motion films particularly satisfying as they incorporate her love of drawing.
Writer: Doxia BarberDirector: Doxia BarberProducer: Doxia Barber
Soraya is the story of one of thousands of Iranian women who decide to have an intentional abortion out of fear of family prejudices, but due to this surgery being illegal in Iran, Soraya is forced to leave her country secretly with the help of smugglers.
“At the beginning of the protests, I had to travel to Iran. It was in those same days that I received a proposal to make a short film. I decided to depict the problems and demands of Iranian women.” – Maryam Rahimi, Director of SORAYA
Writer: Maryam RahimiDirector: Maryam RahimiProducer: Seyed Amir Parvin HosseiniDirector of Photography: Behnam SoleymaniEditor: Siavash KordjanComposer: Kamyar BehbahaniStarring: Oranous Ghavami, Elnaz Habibi, Sheyda Pahlevan, Parsa Mazinani, and Reza Mohebi
As numbers of women and girls in federal, state, and local facilities continue to skyrocket, “The Girl Inside,” a new documentary by 1 Girl Revolution, features a behind-the-walls look into Cook County Jail and a life-changing academic course “Storytelling as a Healing Art” taught to incarcerated women.
“The Girl Inside” starts with a performance by Dr. Laura Biagi for her students about the power of every person’s voice and then leads her students through a series of storytelling exercises and vocal warmups. The culmination of the one day course and the documentary is when Dr. Biagi gives her students a writing prompt, “I am your voice and this is what I want you to know…”
“There are so many issues in the world because people are not able to be heard. Our voices are our revolution and we must look for opportunities to speak up for those who are forgotten and to raise other voices that often go unheard - and above all, we need to listen. We truly have the power to change the world through our lives and the world would look so different if we each truly believed that.” – Dr. Laura Biagi, professor of “Storytelling as a Healing Art”
“1 Girl Revolution is focused on telling stories that often go unheard. There is a clear need to examine the lives of women in jail and prison, but they are too often overlooked. What is also rarely talked about is the power of education - even just one class has been shown to lower recidivism rates by upwards of 43%.” – Kate Bryan, founder of 1 Girl Revolution and “The Girl Inside” curator
A woman struggles to cope with her mantle as a mother while questioning the pressure placed on the individual by societal, religious, and governmental expectations and prejudices. Wild Woman is an animated poem to mankind which invokes current world issues such as drone-strikes and religious persecution in a plea for empathy. Scenes transform and melt as the animator also explores her personal struggle of becoming a mother and identifying as such in our current social and political climate.
“Wild Woman began as a concept where I was truly hoping to get in touch with the deeper, feminine aspects of myself. I wanted to embody femme through my drawings. What began as sensuality transformed into maternity, along with my own life path. As I worked on the film back in 2012, I became pregnant with my first child. I was terrified- a wholly new adventure that I had no experience in, and initially no desire to pursue. I struggled to complete the film, and by 2013 I was an exhausted new mother feeling all the pressure of societal perception, struggling to maintain my own identity. It was around this time that I also became more aware of the greater scope and scale of the global proceedings around me.
Thus, this film embodies a plea for empathy and compassion. It results from my encounters with misogyny, oppression, repression, the agoraphobic and the xenophobia in this world. It is a battle cry against all the hatred. The purity of new life, the change and evolutions I was experiencing in myself, mind and body, are all infused in each transforming frame and every poetic verse.” – Vanessa Sweet, Director of WILD WOMAN
Writer: Vanessa SweetDirector: Vanessa SweetAnimator: Vanessa SweetAssistant Art Director: Nicholas Sweet
After experiencing a traumatic event on her school bus, Aleena bottles up her anger until a chance connection triggers a small act of rebellion.
I've always had this image in my head of a group of students building a barricade. After reading an OFSTED report where sexual harassment in schools was described as “a routine part of everyday life,” I realized that this image belonged at the end of this story.
Every woman I know has experienced this—an incident in the playground, workplace, or at a bus stop that was brushed aside as a joke, no big deal, or simply "boys being boys." A passing moment, quickly labeled unremarkable, takes deep roots and causes serious damage.
After being assaulted by Will on the school bus, Aleena can't escape the micro-moments of misogyny embedded into everyday school life. For Aleena, this environment becomes more and more suffocating—until it's disrupted by a moment of unrestrained friendship.
Our aim with Barricade was to make a film that immerses audiences in the feelings teenage girls experience on an average school day: the insecurity, rage, euphoria, blood, sweat, and tears. To ask—what happens when all these feelings can no longer be contained? Where do they go when an institution repeatedly fails to provide a space or outlet for them? By ending the story with a moment of intense catharsis, I hope audiences will consider why this is such a rarity for survivors and victims. — Alice Johannessen
Written & Directed by: Alice JohannessenProducer: Molly YoungDirector of Photography: Ash ConnaughtonEditor: Dave JonesProduction Designer: Katie BonehillCostume Designer: Ella JudySound Design: Justin DolbyOriginal Music by: Joel NicellExecutive Producer (BFI Network): Natasha Wilson
Set in the 1970s, the film centers on two young girls who struggle with their mother's bipolar disorder, which constantly disrupts their lives and forces them to grow up too soon.
We've always wanted to make a film that stems from our personal experience of growing up with a bipolar mother. While the details were changed, we were the little girls who sometimes longed for normality, and we were afraid of what might await us at home after school.
Mental illnesses often go ignored by society, and people who suffer from them are excluded from their communities. We believe it is important to raise awareness of the issue, because these illnesses affect more than just the person who is sick. This film is told from the point of view of the children—especially the older daughter—to convey the effect on their lives.
Forget Me Not is, above all, the call of a child who needs her mother, no matter how imperfect she may be. — Florine Nüesch & Kim Nüesch
Directors & Writers: Florine & Kim NüeschProducer: Malcolm DuncanCinematographer: Marz MillerProduction Designer: Miranda LorenzOriginal Music: Stephen RennicksEditor: Addie LiangCasting Director: Alyssa CarterSound Designer: Bruce ChianeseArt Work: Alaska Sohne
Brought together serendipitously in a moment of mischief, two elderly care home residents form an unlikely relationship when they make an enchanted discovery.
Yasmin Afifi is an award-winning writer/director based in London. Her work has been screened at festivals worldwide, including BAFTA/BIFA Qualifying ones such as Underwire and Tirana, Little Wings, New York, LFF, etc. She completed her BA at the University of Westminster on their prestigious Film course. She has just completed her MA in Directing at the National Film and Television School on a full scholarship from BBC Film. She loves using the medium of comedy, magical realism, and absurdism to explore taboo and dark subject matters. Taking very real, grounded characters and throwing them into more conceptual worlds to explore stories with heart and relevance to the world we live in.
Writer & Director: Yasmin AfifiProducer: Elizabeth RufaiComposer: Catherine HillierCinematographer: Linda WuEditor: Max ReynoldsCasting Director: Charlotte ChapmanProduction Designer: Gili OfriCostume Designer: Mei ChengMakeup Artist: Grace Darling Smith
Ellie spends her life channelling her frustrations into the collar of her jumper, and one day it decides to fight back.
First-time writer/director Isabella Spagnolo is a Sydney-based 2D character animator. She graduated from the University of Technology Sydney (UTS) with Honours in Animation and has since worked at studios including Flying Bark Productions, Cheeky Little, and Studio Moshi on a number of feature films and television series, including Marvel's Moon Girl and Devil Dinosaur, LEGO Monkie Kid, and Nickelodeon's Rise of the Teenage Mutant Ninja Turtles.
Isabella's animated worlds are an expression of her love for reflective storytelling and her passion for animation's capacity to communicate otherwise indescribable feelings and articulate them visually with little limitation.
Director: Isabella SpagnoloCast: Tess Meyer, Matthew PrednyExecutive Producers: Barbara Stephen, Alexia Gates-Foale, Alexs StadermannProducers: Sofia Iffla, Grace Rein, Francesca Hope
A young Black ballerina performs her Sunday rituals while facing the pressure to perform whiteness. An unapologetic celebration of the powerful, ancestral bond embedded in Black women.
Like most Black girls, growing up, I internalized Eurocentric beauty standards, seeing only white women's beauty being celebrated in the media. The film exposes the pressures Black women face from a young age to “whiten” our natural features and how the mainstream beauty industry and the institution of ballet are complicit.
Combatting the negative messages the lead character Angel receives is the community of Black women who show her that Black is beautiful. This film is a sensational celebration of Black cultural identity and our hair—and especially, the sisterhood that exists between Black women, which transcends the physical world.
From the royal costumes to the elaborate hair art, this Black-women-led creative team showed the Black women and girls in our cast the royalty they've always been. The energy on set was electrifying, like we all knew we were capturing something special.
I feel so excited to share this film with the world and show all the little Black girls this celebration of their unique beauty! — Alicia
Written & Directed By: Alicia K. HarrisProducer: Hayley Brown, Jeff ChiuCo-Producer: Ollie CoombsAssociate Producer: Silvio PassaroCinematographer: Jeremy CoxProduction Designer: Nicole SimmonsCostume Designers: Charlene Akuamoah, Kahmeelia SmithEditor: Ashley GilmourSound Designer: Paul Lucien ColChoreographer: Zoë EdwardsHair Art & Design: D'andra MorrisKey Hair & Makeup Artist: Rahnell Branton
At the turn of the years 1910s and 1920s in an allusive correspondence, Rosa confides in her friend Giorgina, telling her a secret: the machine-man envisioned by Marinetti is not a near future for mankind, as futurists say. It is a present for womankind, and Giorgina can unwrap it now.
Angela Norelli (Roma, 1996) is a director, screenwriter, and film editor. She graduated from the Centro Sperimentale di Cinematografia in Rome and received her Master's in Philosophy from Sapienza University of Rome with a dissertation on Dziga Vertov.
In 2021, she wrote, edited, and directed the found-footage film Children Love to Hide, which premiered in competition at the 39th Torino Film Festival and was later selected for several film festivals around the world. That same year, she edited the short film The Dependent Variables by Lorenzo Tardella, which premiered at the 2022 Berlinale and won the 2023 David di Donatello for Best Short Film.
Angela was selected as a finalist in the 38th edition of the Premio Franco Solinas (currently in progress) for the story and screenplay of the feature film Roma, Notte dei Morti. She has also collaborated on archive research for Pietro Marcello and worked as assistant editor to Jacopo Quadri.
With the Voice By: Caterina Cianfa, Zoe Tavarelli, Sofia RussottoFilm Editor: Angela NorelliSound Editor: Aman FalconiSound Engineer: Alberto MosconeRe-Recording Mixer: Giulio SerenoEnglish Translator: Annachiara VispiArchive Researcher: Angela NorelliArchive Research Collaborator: Edoardo IntontiGraphic Designer: Alec TrentaColor Grading: Vincenzo MarineseWritten and Directed By: Angela NorelliProduced By: Centro Sperimentale di Cinematografia
Amongst the hundreds of lively ponds that make up Cape Cod, there's a thriving community of wildlife, foliage… and old women. Susan, the founder of “Old Ladies Against Underwater Garbage”, has gathered a group of electrifying old women to battle the growing pollution in the ponds. Life itself can become polluted by loneliness, especially as we age, but through this project these women have unexpectedly revitalized their own lives, not just their environments.
Kennedy Laylon (she/her), is a documentarian from Syracuse, NY. She's worked on the award-winning student documentary First Name Basis (2023) as well as Birds in the Sea (2024), a cross-cultural documentary short filmed in Korea. She's an upcoming senior at Ithaca College, completing a major in Documentary Studies and Production with a minor in English. Kennedy loves making films that are both inspiring and impactful, and takes any opportunity she has to learn from the vast experiences her documentaries take her in.
Director: Kennedy LaylonCo-Directors: Michael Crater, Olivia WoodProducer: Olivia WoodCo-Producer: Ye Hang YeoAssistant Producer: Amen NgDirector of Photography: Michael CraterEditors: Michael Crater, Kennedy LaylonCamera Operators: Kennedy Laylon, Michael Crater, Ye Hang Yeo, Olivia Wood
At the age of 50, blind and afraid of water, Vivian Stancil dove in to save her life.
Riley Hooper is a documentary film director and editor. Her body of work explores human resilience and spirit through short documentary portrait films. From a blind swimmer to the world's oldest mime to people buying and selling goods at the world's longest yard sale, Riley is drawn to people whose perspectives and pursuits inspire and challenge us. She believes everyone has a story to tell and approaches her subjects with deep curiosity and compassion.
For the past nine years, Riley has turned the camera upon herself and her family, exploring similar themes of resilience, dignity, and self-discovery in Vestibule, a first-person documentary about her journey with Vestibulodynia—a vulvovaginal disorder. Combining verité footage with imaginative dance scenes, Riley documents her quest for pain-free sex. Through the process, she explores larger themes of sexual health, pleasure, bodily autonomy, and the systemic barriers that deny these rights to women and people with vulvas. Ultimately, Vestibule examines how pleasure can be a powerful tool for agency—a way to advocate for one's desires and needs, with impacts that ripple into every aspect of life. As her grandmother says in the film, “If you're on good terms with your vagina, you have a better life.”
With support from Sundance and the Points North Institute, Vestibule is set to be released in 2027 as Riley's first feature. Looking ahead, she aspires to deepen her artistic practice by expanding her work in hybrid and formally inventive documentaries. She is particularly interested in integrating dance elements in new and boundary-pushing ways and continuing to explore themes of bodily autonomy. Building on her shorts and Vestibule as a foundation, she hopes to create films that honor the complexity of lived experience and invite audiences into deeper connection with themselves and the world around them.
Featuring: Vivian Stancil & Turner StancilDirector/Editor: Riley HooperProducer: Caitlin Mae BurkeCinematographer: Ora DeKornfeldUnderwater Cinematographer: Laura DiFiglioAC/Gaffer: Nina HamUnderwater AC: Steve FitzpatrickSound: Cindy TakeharaHair and makeup: Betsy MarshallPA: Kaitlyn JeffersColorist: Noah ToddOriginal score: Zubin Hensler— Piano: Jake Sherman— Vocals: Sara LucasSound design & mix: Calvin Pia/One Thousand BirdsAssistant Editor: Jonathan Johnson
When Beatrix finds herself feeling disconnected and insignificant, she is called to step far out of her comfort zone to sense her place in the world again.
Directed by Alex Farias
Inspired by true events, a Nigerian single mother living in Los Angeles offers to help a perfect stranger reunite with her son — only to discover that this simple act of kindness threatens to jeopardize her own path to citizenship.
Directed by Lisa Cole
Five years after her song “Quiet” became a global anthem for the women’s movement, singer-songwriter MILCK reckons with her blindspots and embarks on a journey of reclamation alongside her co-creator.
Directed by Eurie Chung
When a woman tries to cover up that her brother has beaten his 3-year-old daughter, her plan to make the little girl believe it was all a game seems to work — until the truth proves impossible to hide.
Directed by Shadi Karamroudi
In 1813 England, a marriage proposal goes awry when Miss Estrogenia Talbot gets her period and her suitor mistakes the blood for a serious injury — revealing just how much his expensive education missed.
Directed by Julia Aks & Steve Pinder
Cece comes out to her traditional Italian-American family during Sunday dinner.
Directed by Alexandra Robinson
Photos by Charity Grace Photography. For prints, click here.
Photos by Charity Grace Photography. For prints, click here.
Photos by Pixel Perfect. For prints, click here.
NEW Moon Fest — Nantucket Empowering Women
NEW Moon Fest was born from a moment of uncertainty, inspired by a community’s determination not to let something meaningful disappear.
For thirteen years, Nantucket’s LUNAFEST screening was more than a film festival. It was a cherished rite of spring, bringing the community together to celebrate women’s stories, creativity, courage, and resilience. Each Memorial Day weekend, audiences converged in joy and camaraderie at the historic Siasconset Casino to reconnect after the long island winter and to experience the power of films created by and about women, films honoring the feminine spirit and its resilience.
When LUNAFEST1 announced a national pause in 2023 after more than two decades, Nantucket faced the possibility of losing one of its most beloved annual traditions. Yet what might have been an ending instead became an invitation: an opportunity to imagine something new while honoring all that had come before.
Recognizing both the loss and the possibility, Nantucket Community Television (then) Executive Director, Lisa Getter, reached out to Lisa Soeder (the woman who introduced LUNAFEST to Nantucket in 2010 as a Theatre Workshop fund/friend-raiser) to partner with her in the creation of a female-centric shorts festival. And, in the tradition of the strong resourceful women who have shaped Nantucket throughout its history, the two pivoted and chose not simply to preserve the festival’s legacy but to build upon it. NCTV hired the talented Stephanie Serra as the event’s Program Director for the start-up, and hit the ground running.
The result was NEW (an acronym for Nantucket Empowering Women) Moon Fest: an original Nantucket-based international short film festival whose name reflects its core mission.
Like the new moon itself, every beginning emerges from darkness. Though unseen, the moon’s gravitational pull remains powerful. NEW Moon Fest embraces that same truth, celebrating the profound influence of women’s voices, stories, and leadership, whether visible on the world’s stage or quietly transforming lives every day.
Today, with Getter and Soeder at the helm as co-founders and co-chairs, and a host committee to curate, NEW Moon Fest combines independently curated international short films with the warmth, camaraderie, and community spirit that made Nantucket’s LUNAFEST so beloved. Each Memorial Day Weekend, more than 350 people gather on the eastern shores of Nantucket at the iconic Siasconset Casino to celebrate storytelling, connection, and the enduring power of women’s experiences.
Since its founding in 2024, NEW Moon Fest has raised funds for Nantucket Community Television, supporting programming that engages, entertains, educates, and connects the island community, and for A Safe Place, whose mission is to support and empower individuals affected by domestic violence, sexual violence, and abuse.
LUNAFEST in Nantucket — Its History and Evolution
LUNAFEST Under Theatre Workshop of Nantucket
The origins of NEW Moon Fest reach back to 2010, when Lisa Soeder, then Chair of Theatre Workshop of Nantucket’s Development Committee, attended a LUNAFEST screening in Florida and immediately recognized its potential to resonate with Nantucket audiences.
The first Nantucket event, hosted by the Theatre Workshop of Nantucket, with the strong support of TWN’s then Executive Director, Gabrielle Gould, was held at the Green Barn at Westmoor. Two screenings were planned for seventy-five guests each. Not a single ticket had been sold in advance. As attendees arrived and filled both screenings, Soeder welcomed them, jokingly confessing she had feared that she had planned a festival no one would attend.
The concern was short-lived.
What began as a modest friend/fundraiser quickly became one of Nantucket’s most anticipated annual events. The festival found its permanent home at the historic Siasconset Casino, where attendance grew year after year, resulting in early sell-outs and oversold events. Under Soeder’s leadership from 2010 through 2017, even with modest ticket costs starting at $25 and growing to $40 during this period, Nantucket’s LUNAFEST became the highest-performing fundraiser in the national LUNAFEST network while simultaneously supporting Theatre Workshop of Nantucket and the Breast Cancer Fund.
The partnership felt almost destined. The moon, a symbol prominent in the logos of both LUNAFEST and Theatre Workshop, served as a fitting emblem for an event devoted to illuminating stories that often deserve greater visibility.
In 2018, after Soeder stepped down as event chair, Theatre Workshop shifted its fundraising focus toward its own productions, cabarets, and an annual gala.
LUNAFEST Under Nantucket Community Television
Recognizing that a film festival naturally aligned with a film organization, Getter and Arlene O’Reilly, then Marketing Director, approached Soeder about transferring the event to Nantucket Community Television. Theatre Workshop was amenable, and the smooth transition ensured that the beloved festival would continue under the tutelage of a new organizational home uniquely suited to its cinematic mission.
But despite the easy transition, the start was rough and NCTV shepherded the festival through extraordinary challenges. During the pandemic, LUNAFEST’s 2021 screening moved to the Nantucket Dreamland Theatre, where audiences participated both in person (separated by seats per COVID protocols) and remotely. The festival returned to the Siasconset Casino for 2022 and 2023, maintaining its place in the community even during uncertain times. Then, when the national LUNAFEST program ceased operations, Nantucket once again adapted.
Rather than allowing a treasured tradition to disappear, Getter and Soeder reimagined it. And NEW Moon Fest emerged not as a replacement, but as an evolution: a festival deeply inspired by LUNAFEST’s legacy while charting its own course with independent curation, an international perspective, and a distinctly Nantucket identity. Nantucket welcomed this iteration with open arms and hearts.
The Spirit of NEW Moon Fest
Rooted in Nantucket’s elemental beauty and shaped by generations of pioneering women, NEW Moon Fest celebrates creativity, resilience, intuition, and transformation.
Inspired by the Wild Woman archetype, the festival honors the voice within every woman that trusts her own wisdom and embraces possibility. It celebrates authenticity over expectation, imagination over limitation, and community over isolation. Strong ties to Mother Earth ground the festival in connection—to our bodies, to one another, and to the natural cycles of renewal and transformation.
The natural rhythms of the moon provide both symbol and guide. Just as the lunar cycle continually renews itself, women’s empowerment is not a single achievement but rather a cycle of beginnings — chosen, repeated, shared. Because our strength and our resilience lie in our collective power to begin again and again, on our own terms, in community with others. It is found in the courage to start anew, the strength to persevere through change, and the willingness to support one another along the way.
At its heart, NEW Moon Fest believes that women’s stories matter in all their richness and complexity. Through bold filmmaking and shared discovery, the festival creates space for stories of resilience and vulnerability, belonging and becoming, for transformation, quiet influence and unmistakable strength.
Like the new moon itself, these stories remind us that what is not yet visible can still hold extraordinary power.
Launched in 2001, LUNAFEST was designed as a traveling short-film festival with a mission to champion women filmmakers, amplify underrepresented voices, and raise money for nonprofit organizations. Its screenings brought communities together through films by and about women, until its corporate parent was acquired in 2023 and thereafter Luna ceased curating and sharing short films. But for the majority of its life-span, LUNAFEST curated a slate of films annually for distribution to hosting charities in consideration of a donation to The Breast Cancer Fund of 15% of net proceeds raised at host community events. In its last years, LUNAFEST shifted from the percentage donation to The Breast Cancer Fund to a $350 donation benefitting Chicken & Egg Pictures which champions women and gender-expansive documentary filmmakers around the globe with funding, mentorship, and access so they can tell stories that ignite change. During its tenure, LUNAFEST showcased more than 175 filmmakers and raised more than $7 million for nonprofits.
This video premiered at the 2026 New Moon Fest. It spotlights the girls behind the Nantucket Girl Scouts troop.
Click Here to Watch
This video premiered at the 2025 New Moon Fest. It features women from around Nantucket sharing what makes them feel strong.
Click Here to Watch